‘59A, 74J’

Emily Yeonsoo Jung, 59A, 74J, glass, concrete, mortar, Vaseline, paraffin wax, soy wax, microcrystalline wax, steel pipe, 25x35x52cm,35x35x32cm

‘THE FLOOR THAT GATHERS THE LIVING TOUCHES THE EARTH THAT RECEIVES THE DEAD’

Emily Yeonsoo Jung, The floor that gathers the living touches the earth that receives the dead, 2025, charcoal, ash, pewter, mortar, rice water agar, glass

Emily Yeonsoo Jung and Clara Chanisheff, Contours of access, 2025, aroma molecules, rice glue, solvent, dust, trapped air, acrylic, steel

Emily Yeonsoo Jung, untitled, 2025, glass, steel, ash, rice water agar

Emily Yeonsoo Jung, untitled, 2025, pewter, ash, mortar, concrete

Emily Yeonsoo Jung, untitled, 2025, glass, steel, ash, rice water

Emily Yeonsoo Jung, untitled, 2025, glass, steel, ash, rice water agar

Emily Yeonsoo Jung, Open vessels, 2024, glass, scoria, plaster, steel pipes.

Emily Yeonsoo Jung, Kyle Stanton, When Can I Come Home, 2024, thermochromic ink, acrylic on perspex, wood, 370 mm Å~ 250 mm

Emily Yeonsoo Jung

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Emily Yeonsoo Jung

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Emily
Yeonsoo
Jung

Emily
Yeonsoo
Jung